A way with worlds: 06 - Pyramids of Power by Steven Savage of Seventh Sanctum
Page 2 of 2 THE EFFECTS OF
POWER:
When writing I tend to think
of two basic ways to achieve a result: by force and by subtlety.
Writing either takes thought, so I'll address them separately.
RESULTS BY FORCE:
These seem simple to write -
the Evil Army conquers the kingdom, the hero kicks the bad guy's
rear end thanks to his training, the doctors cure the disease
with a superpowerful antibiotic. Call it what you will, but in
many cases you're just writing "force wins in the end."
Its easy to do and in many cases logical
Unfortunately, explaining
results achieved by force requires two things that can often be
forgotten:
1) How is the force used (be
it intellectual, military, technical, etc.) powered and how is it
achieved? Its easy to hand out superpowers, armies, etc. but
harder to explain just how much force is brought to bear. If you
want a planetary devastation beam, that's going to take quite a
source of energy. If you're going to have someone running a
massive corporation, that's a lot of organization (and marketing,
and useful products, and even more).
2) What are the side effects
of this use of massive force? Brute power, be it military or
financial, is not subtle. Taking a country, acquiring a rival,
etc. all have repercussions - a military attack destroys
resources and creates bad feelings, a corporate takeover may mean
people who hate you are now part of your company. As mentioned
above, track unexpected side effects when you have characters
exert power, but especially when force is involved.
Force takes energy, and
force is not subtle. Keep that in mind.
RESULTS BY SUBTLETY:
Subtlety is often forgotten
when one writes. It can be more interesting to have the hero kick
backside than solve things cleverly. However, realistically,
things to happen because of subtlety, and some genres (mystery,
romance) will require subtlety in many cases.
Whereas getting a result by
force means overwhelming something, achieving things by subtlety
means your characters achieve their end by not overwhelming a
target. They may make personal connections, kill off an important
individual, perform an action at a specific time that affects
things critically, etc.
Of course, there are
challenges to writing subtlety:
1) Subtlety requires the
knowledge and intellect and skill to have an effect. A detective
has to be able to put clues together. A seducer has to be able to
charm. An assassin trying to stop a coup has to kill the right
person.
2) Subtlety can be thought
of as working at a "critical-point" - making a
connection with another person, finding the right clue, etc. Make
sure the critical points ARE critical points, that seducing the
Queen will really make a difference, that finding that clue
really solves the mystery.
Subtlety also may have to be
communicated at least a bit to your reader so they know what's
going on. Sometimes you can be too subtle, and loose the reader.
SUMMARY:
With great power comes great
challenges in writing. Remember, just as force can backfire and
subtlety can be lost, not writing power correctly can ruin a
story. Take your time and think ahead.
Take a trip to my own
alternate world, the Crossworld of Xai, at http://www.seventhsanctum.com/xai/ Copyright© 1999, 2000, 2001, 2002 Steven Savage, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.
|