Support sffworld.com, buy your books through these links (read more)       Amazon.com, Amazon.co.uk, Amazon.de or Amazon.ca

Steven Savage

Articles
- A way with worlds: 01 - Your Main Character
- A way with worlds: 02 - It is the little things that count
- A way with worlds: 03 - In the beginning . . . there was a lot of planning
- A way with worlds: 04 - Intelligent life and culture
- A way with worlds: 05 - Magic and Technology
- A way with worlds: 06 - Pyramids of Power
- A way with worlds: 07 - Getting a Vision
- A way with worlds: 08 - Your Worlds are in Danger!
- A way with worlds: 09 - Retcon as Continuity
- A way with worlds: 10 - The Fanfic Rebellion!
- A way with worlds: 11 - Attitude
- A way with worlds: 12 - Finding Inspiration
- A way with worlds: 13 - Writing religion in your continuity
- A way with worlds: 14 - Creating new religions
- A way with worlds: 15 - Timeline-Based Writing
- A way with worlds: 16 - Yin and Yang: Utopia Dystopie Cornucopia
- A way with worlds: 17 - SEX: A completely boring discussion
- A way with worlds: 18 - Putting it all together: Xai
- A way with worlds: 19 - World View: Evolving with Alicia Ashby
- A way with worlds: 20 - Yin and Yang: The Deadly Hero
- A way with worlds: 21 - Something Old, Something New, Something Borrowed
- A way with worlds: 22 - The Paradox of the Badass
- A way with worlds: 23 - The Persecution Rests
- A way with worlds: 24 - Service, Service!
- A way with worlds: 25 - Crime and Punishment (and a lot of other stuff)
- A way with worlds: 26 - More Crime and Punishment
- A way with worlds: 27 - Yin and Yang: Self-Serving Self-Sacrifice
- A way with worlds: 28 - Timeline-Based Writing: The Critical Axis
- A way with worlds: 29 - Why are we doing this?
- A way with worlds: 30 - Cycles of Conflict
- A way with worlds: 31 - Losing the Race
- A way with worlds: 32 - Yin and Yang: Knowledge and Ignorance
- A way with worlds: 33 - Yin and Yang: Subjectivity and Objectivity
- A way with worlds: 34 - The Odds
- A way with worlds: 35 - Normalcy
- A way with worlds: 36 - The March
- A way with worlds: 37 - God, Darwin, History
- A way with worlds: 38 - Parallel Earths
- A way with worlds: 39 - Technology and Terminology
- A way with worlds: 40 - Communicating Your World
- A way with worlds: 41 - Playing God
- A way with worlds: 42 - Without Words
- A way with worlds: 43 - TMI
- A way with worlds: 44 - The Drought
- A way with worlds: 45 - Aslan Meets His Match: Theme versus Setting
- A way with worlds: 46 - Dark Mary Sue
- A way with worlds: 47 - The Realism Factor
- A way with worlds: 48 - Apocalypse How

A way with worlds: 46 - Dark Mary Sue
by Steven Savage of Seventh Sanctum
Page 2 of 2

We can miss creating Dark Mary Sues for the simple reason that we treat the villains, the antagonists, as plot devices. They're like the Big Bosses in videogames - hulking images with a high (whatever) count. This need to make the villain something almost outside of your setting, to contrive a villain, is a gateway for Mary and Gary to happily prance into your story world.

In short, if your villain filled out a resume, and his last job would be listed as "villain", then you have a Mary Sue Gateway waiting to happen.

Dark Mary Sue's actually irritate me more than regular Mary Sues - they seem to lean more towards wish fulfillment, provoke even more excuses, and drag the story down - especially if the hero is just someone for the villain to push around.

 

THINGS TO WATCH OUT FOR:
Having seen some Dark Mary Sues, I can advise you to be on the lookout for:

  • Is the hero constantly outsmarted by the villain? Does he succeed only by luck - and you aren't writing a comedy? Is the hero basically a punching bag?
  • Is the villain so charming, suave, debonair, and likable that you wonder why they need an Army of Evil to take over the world when most people probably like them better than whoever is in charge?
  • Does the villain have inexhaustible resources? Can their bank account be mixed up with the GNP of major world powers, yet they have no reason to have such wealth?
  • Does the villain have a tragic story that grips everyone and makes them really sympathetic despite the fact they commit genocide daily to keep in practice?
  • Does the villain's luck run so much in his or her favor you figure they could just WIN the world in a game of Poker and be done with it.?
  • Do you hate the villain, but only because he or she is too perfect - is their perfection more annoying than the fact that they use Nuclear Death Rays to decimate cities?

If you see any of these traits, put on your Mary Sue detector and aim it at your villain.

 

SUMMARY:
Villains can be Mary Sues, and are often more difficult to diagnose as such. Writing realistic antagonists and keeping the signs of Mary Sue-ism in mind can help.


A Way with Worlds is hosted at:

The complete works are archived at the Way With Worlds archive.
A German translation is in the works at
Christian Spliess's Page


Copyright© 1999, 2000, 2001, 2002 Steven Savage, sffworld.com. All rights reserved. No part of this may be reproduced or reprinted without permission in writing from the author.



About / Staff - Advertising - Contact us - For Authors & Publishers - Contribute / Submit - Take our survey - Link to us - Privacy Policy
Copyright © 1999 - 2004 sffworld.com