A way with worlds: 46 - Dark Mary Sue

NOTE: This column is about Mary Sues. Yes, in some cases people have varied definitions. The one I use is, simply, an "author's pet" who does not necessarily have to be a self-insertion, but does get preferential treatment that strains or breaks continuity. Thus for this column I use it entirely in a negative context.

Dark Mary Sue? Most people would feel Mary Sues are quite dark enough as it is. Many an author or game-master is afraid to create a new character in fear of it been seen, or worse, actually being, some ego-fulfillment vehicle. If you create original worlds and settings people will give you a break - but only sometimes.

So, often in this fear, many of us are careful with our new heroes, heroines, and supporting characters. We don't want scare off people who may think we're living vicariously. We don't want our work to become a way to compensate for inadequacies perceived and real. Even people who don't care about their writing at least don't want to be humiliated.

So we're careful with our heroes, and our heroines, and our supporting characters. Every originally created one is careful scrutinized.

Yes . . . we're very careful.

About some characters.

THROUGH THE LOOKING GLASS:
Of course this caution ignores the fact that only some of a cast is scrutinized for Mary Sue-ism. Mary Sue and her male counterpart (I've heard him called Marty Sue, Marty Stu, and Gary Stu) are tricky devils, and you'd be amazed where they pop up.

And often in both completely original worlds, and in original characters in fanfiction or role-playing games, they can pop up as villains. The bad guys. The antagonists. Ironically, this can be even worse than when they're heroes - there's nothing like watching a hero go up against a well-armed, author-favored Dark Mary Sue to completely kill interest in the tale.

At first, this may seem odd - after all, aren't Mary and Gary supposed to be beautiful, perfect, wonderful, loved, etc.? I mean, how do you do that with a villain?

There's something peculiar in some writers and worldbuilders, perhaps all of us at one time or another, to create some species of perfect character, an authors pet. Maybe it's a self-insertion desire, perhaps its identification without self-insertion, maybe it's the enjoyment of seeing someone or something tromp around and destroy all opposition. They key factors are that Mary Sues are often powerful, lucky, and something the author is quite attached to.

Note that none of these qualities says that that Mary or Gary have to be the good guys. n fact, you can probably point to many a Mary Sue you've seen and asked "why the heck are they the good guys? They're jerks!"

In my experience, in fact, a Dark Mary Sue or Evil Gary Stu makes it easier to invoke the qualities of power, luck, and authorial fiat. After all, the villains are supposed to be the challenge to the hero - so they can be powerful, right? And the villain has to be lucky so they can keep coming back, right? And the villain needs that big castle with its scantily clad male (or female) slave boys (or girls), and the giant laser cannon . . .

Sound familiar?

BEYOND THE NORMAL MARY SUE:
In my experience most Mary Sues are author's pets - characters given special treatment for various reasons. But, beyond the fact it may be easy to map Mary Sues onto the villains, would it happen - and be noticed less? I myself have seen more Dark Mary Sues get past people's authorial radar than regular ones.

Why? Because, beyond the usual ways Mary Sue sneaks into stories, people often handle their villains poorly.